Split-Screen Technique

     The split-screen technique can be done in post-editing and it literally creates a visible divide in the screen (normally in half), showing two different points of view or images. It can be a fun, easy way to be a little more creative with your film. It’s only easy, however, when you do the necessary planning beforehand. The split-screen scene actually has to have significant meaning. Doing a split-screen just to do one isn’t going to cut it. There must be a purpose. Otherwise, the technique falls flat and becomes confusing to the audience. There are many advantages to the split-screen method:

• To create a foil between two subjects, such as showing two characters’ lives that contrast each other.
• To give different points of view at the same time, much like telling two sides of a story
• Aesthetic appeal
• To duplicate an actor (think Parent’s Trap with Lindsey Lohan playing both parts of the twins)

There are also some setbacks:

• They often become confusing. To avoid this, think of how it will look beforehand — always plan ahead!
• They become repetitive so use them sparingly. Surprise the audience — let it be your wildcard, not your calling card.
• They disrupt “reality,” or the natural flow of the film. This isn’t always bad, but if done too often, it can take the viewers away from the world you’re trying to create with your film.

     With these tips in mind, try your hand at a split-screen shot and see how it turns out. The key to success in film is practice, so don’t be discouraged if it doesn’t turn out how you pictured it — keep trying.

     Here’s an awesome example of a split-screen shot that falls heavily under the aesthetic appeal category mentioned above:

Here’s one that tells a story:

     Let me know what you think! Comment or email me at ljm7686@truman.edu. Like always, I’ll see you next Friday at 7!

     Next time: learn all about the cutaway shot!